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MCU Synergy Is A Problem For Marvel Comics

2025-11-24 22:00
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MCU Synergy Is A Problem For Marvel Comics

The MCU has become an issue for Marvel Comics.

Face It, the MCU Is Actively Ruining Your Favorite Marvel Hero MCU Hulk Yelling in Thor Ragnarok The MCU Hulk Yelling in Thor: Ragnarok 4 By  Ambrose Tardive Published 14 minutes ago Ambrose Tardive is an editor on ScreenRant's Comics team. Over the past two years, he has developed into the internet's foremost authority on The Far Side. Outside of his work for ScreenRant, Ambrose works as an Adjunct English Instructor. Sign in to your ScreenRant account Summary Generate a summary of this story follow Follow followed Followed Like Like Thread Log in Here is a fact-based summary of the story contents: Try something different: Show me the facts Explain it like I’m 5 Give me a lighthearted recap

Is the Marvel Cinematic Universe a creative drag on Marvel Comics? It's complicated. It is undeniable that the MCU has done wonders for the Marvel brand. At the same time, readers think Marvel Comics has taken a back-seat to Marvel Studios in recent years, and that problems at the film production level have a way of trickling down to the comics.

Marvel Comics needs to capitalize on the success of the MCU, of course, but there is peril in trying to chase on-screen success on the page.

Full group of Avengers in MCU Avengers: Infinity War promo art Full group of Avengers in MCU Avengers: Infinity War promo art

Often, it seems that Marvel Comics is at its best when it offers a striking alternative to the MCU, and at its worst when it tries too hard to be the MCU.

The MCU Is Marvel's Main Source Of Revenue Now, And The Comics Have To Fit Into That Larger Picture

How Does The MCU Impacts Marvel Comics?

IRON MAN FLYING THROUGH WATERCOLOR SKY IRON MAN FLYING THROUGH WATERCOLOR SKY

According to visionary creators Jack Kirby and Stan Lee, the Marvel Comics Universe was meant as a fantastical reflection of the real world. In a way, the MCU is, to borrow its own term, the “endgame” extension of this. The remarkable thing about the MCU’s early years was how faithfully it captured the essence of Marvel’s most classic characters.

Initially, the MCU served as a perfect entry-point to Marvel lore for a generation of new fans. As the MCU has grown into a global phenomenon, though, it has taken on an increasingly paramount role for Marvel as a business. Marvel Comics couldn’t help but feel the impact of this creatively, for better or worse, in some way or another.

In short: the MCU makes a lot more money than Marvel Comics. As such, it has become a machine that has to sustain itself. The comics have to fit into that larger operation; they are no longer at the top of the pyramid of importance for Marvel overall. And readers can feel it on the page.

The Curious Case Of Quicksilver, The MCU's Greatest Casualty

Did The Speedster's MCU Demise Derail His Comic Trajectory?

Quicksilver is among the most often-cited examples of a Marvel Comics character who has suffered as a result of his MCU portrayal. The character has been an integral part of Marvel canon stretching back to the original X-Men series and the early days of the Avengers; the MCU dispatched him in one film, Age of Ultron.

That kind of change wouldn’t necessarily be a problem, except that since then, Quicksilver’s role in Marvel Comics has seemingly been stymied. Many fans believe this is because it’s not worth investing time or creative energy in the character if he’s not expected to have a significant MCU role anytime soon.

Quicksilver’s just one example. His sister Scarlet Witch had a disappointing “heel turn” and exit from the MCU, which offered a terse, unsatisfying equivalent to her powerful dramatic fall, and eventual redemption, in Marvel Comics lore. Other characters, like Iron Man, feel stuck in a rut, because they can’t stray too far from their MCU counterparts.

The Marvel Stories That Break From The MCU The Most Are The Best It Has Going Right Now

What Do MCU Fans Really Want When They Pick Up A Marvel Book?

Sigurd Jarlson fights bad guys with a regular hammer in Mortal Thor Sigurd Jarlson fights bad guys with a regular hammer in Mortal Thor

The Marvel characters and franchises who seem to be doing best right now tend to be those where the publisher isn’t trying to replicate their MCU success, or to create synergy with the movies. The Mortal Thor is one current standout, in which a depowered God of Thunder must wrestle with his humanity in hopes of restoring his place in continuity.

Another example is the highly-regarded Krakoan Era of X-Men, which lasted from 2019-2025. With no more X-films in development at Fox, and their MCU entry pushed back, the franchise was left to its own devices, and Marvel’s mutants were allowed to be as weird and wild as they’ve ever been.

The MCU offers a great gateway to Marvel Comics for interested readers, but there’s an unfortunate truth the company must reckon with: only a fraction of moviegoers are going to be motivated to check out the books. Those that do are more likely going to be inclined to accept that the comics don’t look, or feel, exactly like the movies.

That is, crossover movie-to-comic fans are looking to discover the wider, wilder, weirder world of the Marvel Universe. On the surface, it makes sense that Marvel Comics would want to offer MCU fans more of what they like, to make books familiar and accessible to MCU fans, but this doesn’t take into account the not-totally-logical-logic of fandom.

Marvel Creators Have More Pressure From Above Than Ever Before, And It Shows On The Page

How Does Disney Limit Marvel's Creative Product?

Victor shakes his fist in One World Under Doom variant cover Doctor Doom shakes his fist in a dimly lit dungeon

When Marvel Comics makes moves to try to cater to MCU fans, it represents an artificial creative motivation. That is, a character's appearance, or reappearance, or resurrection, or return to their old look, isn't dictated by the terms of the story. It is mandated because the character is set to appear in a movie, show, or MCU tie-in product.

Look, Marvel has always had a "top-down" creative model. That's the nature of the comic industry. Not even Stan Lee was totally unburdened from editorial edicts, though he was as close as any Marvel Comics author or artist has ever had to true freedom. Most, however, are subject to the whims of their editors, who in turn must answer to their higher ups.

Now that Marvel is a Disney subsidiary, there are even more rungs on the ladder above the heads of Marvel creators, and editors, than ever before. That means more interference from above, and more moves made to try to anticipate such interference. It fundamentally changes the creative calculus of Marvel Comics.

Though they once might have been akin to a binary system, Marvel Comics is now effectively a planetoid in orbit around the MCU's star. It can't escape the gravitational pull of the Marvel Cinematic Universe, and the Marvel Comics books that feel that tug the most are the ones readers are most skeptical of.

Marvel Cinematic Universe Image Marvel Cinematic Universe (MCU) Created by Kevin Feige First Film Iron Man Latest Film Black Panther: Wakanda Forever Upcoming Films Ant-Man & the Wasp: Quantumania First TV Show WandaVision Latest TV Show She-Hulk: Attorney at Law

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