Georgina Reilly's Laurel-Ann Drummond bleeds as a zombie in Pontypool
By
Nicolas Ayala
Published Feb 9, 2026, 9:31 PM EST
Nicolas Ayala is a Senior Writer for the Comics team at ScreenRant, with over five years of experience writing about Superhero media, action movies, and TV shows.
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The 2000s marked a renaissance for zombie movies with blockbusters and underrated gems alike. Massive hits like 28 Days Later, Dawn of the Dead, Zombieland, Shaun of the Dead, and Resident Evil reinvented the genre for modern audiences. This era expanded the rules of the genre with the reimagining of viral apocalypses and the introduction of brand-new twists on the concept of the undead, while also laying the groundwork for its massive cultural takeover in the following decade, including television phenomena like The Walking Dead.
At the same time, the zombie boom of the 2000s and 2010s produced a wealth of underrated zombie gems that never reached the same level of mainstream recognition. Films like One Cut Of The Dead, Fido, The Crazies, and The Night Eats the World were overshadowed by bigger franchises and trends. Yet, many of these movies quietly aged better than their flashier counterparts.
Pontypool Offers A Unique Kind Of Zombie Movie
(2008) Directed by Bruce McDonald; Written by Tony Burgess
Stephen McHattie's Grant Mazzy holds up a sign that reads Don't Talk in Pontypool
Pontypool is set almost entirely inside a small-town radio station, where shock-jock Grant Mazzy and his colleagues slowly realize that something horrifying is happening outside. Through fragmented emergency calls and increasingly incoherent reports, they piece together the truth: a virus is spreading through spoken language itself, turning infected people into violent, zombie-like creatures. As the situation escalates, the characters are forced to question the very act of speaking, while the station becomes both a refuge and a potential weapon.
Pontypool rejects almost many conventions associated with its genre. Released during the height of the zombie boom of the late 2000s and early 2010s, Pontypool sidesteps gore and the spectacle of large-scale outbreaks in favor of claustrophobic tension and witty dialogue, the latter of which is the heart and soul of the whole movie. Pontypool builds dread through sound and language first and foremost, and the claustrophobic setting elevates the plot above any action-packed, globetrotting zombie flick.
Pontypool Is One Of The Most Underrated Zombie Movies Of The 2000s
Pontypool Deserves To Be Mentioned In The Same Breath As Other Zombie Classics
Stephen McHattie's Grant Mazzy talks to a microphone in Pontypool
Despite its originality, Pontypool remains surprisingly underrated. It arrived at a time when mainstream zombie cinema favored truly apocalyptic scale, which likely limited its reach. The same minimalism that makes Pontypool a low-budget horror gem is why it continues to feel fresh today. As the genre surged and later declined due to oversaturation, Pontypool quietly avoided becoming dated, because its fears are conceptual and thus timeless.
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Dive into the world of movies and TV shows with Screen Rant, your source for news, reviews, and exclusive content. Subscribe By subscribing, you agree to receive newsletter and marketing emails, and accept our Terms of Use and Privacy Policy. You can unsubscribe anytime.Pontypool belongs in the same conversation as genre-defining zombie films like Dawn of the Dead, 28 Days Later, and [REC], even though it approaches a similar concept from an entirely different angle. Where Dawn of the Dead uses social commentary on human behavior, 28 Days Later emphasizes post-apocalyptic dread, and [REC] relies on found-footage horror, Pontypool strips the zombie myth down to its most abstract core. Its horror comes from language itself, which makes it quieter and arguably more disturbing in the long run.
7.0/10
Pontypool
10 stars 9 stars 8 stars 7 stars 6 stars 5 stars 4 stars 3 stars 2 stars 1 star Like Follow Followed Not Rated Horror Sci-Fi Release Date September 18, 2009 Runtime 93 Minutes Director Bruce McDonald Writers Tony BurgessCast
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Stephen McHattie
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Lisa Houle
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