Maya Hawke on a red carpetImage via Xavier Collin/ABACA/INSTARimages.com/Cover Images
Amanda M. Castro is a Network TV writer at Collider and a New York–based journalist whose work has appeared in Newsweek, where she contributes as a Live Blog Editor, and The U.S. Sun, where she previously served as a Senior Consumer Reporter.
She specializes in network television coverage, delivering sharp, thoughtful analysis of long-running procedural hits and ambitious new dramas across broadcast TV. At Collider, Amanda explores character arcs, storytelling trends, and the cultural impact of network series that keep audiences tuning in week after week.
Born and raised in Puerto Rico, Amanda is bilingual and holds a degree in Communication, Film, and Media Studies from the University of New Haven.
Sign in to your Collider account Add Us On Summary Generate a summary of this story follow Follow followed Followed Like Like Thread Log in Here is a fact-based summary of the story contents: Try something different: Show me the facts Explain it like I’m 5 Give me a lighthearted recapNature documentaries are often marketed as comfort viewing. You put one on, learn a few facts, admire the visuals, and maybe fall asleep halfway through. Nightmares of Nature is very much not that kind of show. While Netflix's documentary series Nightmares of Nature is about the natural world, it portrays it as a sinister place, like a scary movie. And for the most part, it is. Predators are lurking in the dark, waiting to catch their next meal. Safety can be short-lived, and luck is usually the decider of who survives.
Told via two speedy seasons and narrated by Maya Hawke, Nightmares of Nature makes animals' lives seem anxiety-filled, often violent, and highly binge-watching-worthy. This isn’t a series that you just turn on to have in the background; it captures your attention and does a great job of holding it.
'Nightmares of Nature' is a Horror Lens on the Natural World
An owl in Nightmares of NatureImage via Netflix
Produced by Blumhouse Television alongside Plimsoll Productions, Nightmares of Nature is built around a simple yet effective idea: to tell real animal survival stories in the language of horror cinema. Each season consists of three episodes set in a single environment, following several animals as their paths overlap. In Season One: Cabin in the Woods, the subjects are trapped in a decaying rural cabin that appears safe until it becomes highly dangerous; in Season Two: Lost in the Jungle, the setting shifts to a dense Costa Rican jungle, with an abandoned research facility as the series' focal point. The intent is to use horror iconography as the basis of the series because it works.
The series uses close-ups, point-of-view shots, ominous sound cues, and slow pacing to prolong unsafe moments for as long as possible. There is an upfront disclaimer stating that some scenes are staged for clarity and safety, but the behavior itself is real. When an animal is caught, it is caught completely; there is no use of computer-generated imagery to smudge the edges.
Maya Hawke Sets the Tone
Hawke's narration contributes significantly to the series' success. The voice is slow and careful, with enough acting to convey the horror context without making the animals appear as cartoon villains or heroes.
Hawke has become a popular name after playing Robin Buckley in Stranger Things and has become one of Netflix's more recognizable voices, so here she emphasizes the atmosphere over the exposition. She doesn't rush with the explanations and keeps the stakes high — she usually does not tell the audience that things are okay, since in many cases they are not.
There are times when the narration almost oversteps and tells the audience how they should feel. More often than not, the narration gives added significance to moments that would otherwise have faded into one another in a standard wildlife documentary.
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Posts By Jessica Toomer'Nightmares of Nature' Was Designed for Short, Intense Viewing
Scene from Nightmares of Nature on NetflixImage via Netflix
One of Nightmares of Nature’s smartest choices is its length. The series has only six episodes, so it does not feel drawn out. Each season tells a story with a defined arc and escalating tension, rather than disconnected vignettes. The series is visually appealing, with macro photography that gives viewers an extreme close-up of the creatures' claws, fangs, and swift movements. The slow-motion shots allow the viewer to absorb critical moments of life or death and create an impression of gore without exceeding the bounds of a TV-PG rating. The series depicts the violence of the animal kingdom in a realistic manner.
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Dive into the world of entertainment with Collider, delivering the latest news, reviews, and exclusive updates from movies, TV, and pop culture Subscribe By subscribing, you agree to receive newsletter and marketing emails, and accept our Terms of Use and Privacy Policy. You can unsubscribe anytime.The horror framing may not appeal to all viewers; some may find the dramatization overdone, and purists may prefer a more documentary style. However, this creates friction that interests the viewer. It’s trying to attract an audience that might not otherwise watch this kind of show.
Nightmares of Nature isn’t the scariest thing Netflix has ever released, but it is one of the more inventive. By borrowing horror’s structure and rhythm, it gives familiar animal stories new urgency and emotional stakes. It’s the kind of show that works best in short bursts — an episode or two at a time — before you realize you’ve finished an entire season. For viewers looking for something different from the usual true crime or slasher rotation, this is an easy recommendation.
Maya Hawke
Birthdate
July 8, 1998
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CL Report: Subscribe and never miss what matters
Dive into the world of entertainment with Collider, delivering the latest news, reviews, and exclusive updates from movies, TV, and pop culture Subscribe By subscribing, you agree to receive newsletter and marketing emails, and accept our Terms of Use and Privacy Policy. You can unsubscribe anytime.What To Watch
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